Donald Hall Prize for Poetry

Donald Hall Prize for Poetry: $5,500 and publication by the University of Pittsburgh Press

2026 Judge

Headshot of Maggie Smith

Maggie Smith is the award-winning, New York Times bestselling author of nine books of poetry and prose, including A Suit or a Suitcase, Dear Writer, You Could Make This Place Beautiful, Good Bones, Goldenrod, Keep Moving, and My Thoughts Have Wings. A 2011 recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Smith has also received a Pushcart Prize and numerous grants and awards from the Academy of American Poets, the Sustainable Arts Foundation, the Ohio Arts Council, the Greater Columbus Arts Council, and the Virginia Center for the Creative Arts. She has been widely published, appearing in The New Yorker, The Paris Review, The Nation, The New York Times, The Atlantic, The Best American Poetry, and more. You can find her on social media at @MaggieSmithPoet.

2025 Winner

Headshot of John Bonanni

Winner: John Bonanni
retrovirology

John Bonanni is a Cape Cod–based writer who serves as founding editor of the Cape Cod Review. His poems have appeared in FoglifterBlack Warrior Review, Southern Indiana ReviewWashington Square ReviewPrairie SchoonerMichigan Quarterly Review, and Gulf Coast, and his literary criticism has been featured in DIAGRAMDenver Quarterly, The Rumpus, and The Kenyon Review. He is the recipient of scholarships from the Fine Arts Work Center in Provincetown and residencies from AS220 and the John Hay Writing Studio. His research on poetry as an intervention for writing attitudes among learners with severe disabilities can be found in The Graduate Review (Bridgewater State University), and his chapbook, a rotary phone that dings when you move it (Cape Cod Editions), was funded by a matching grant from the Arts Foundation of Cape Cod and the National Endowment for the Arts, before the NEA was gutted by neofascism. 

Honorée Fanonne Jeffers, judge: retrovirology captures the urgency that few books contain: This book is a remembrance of those who passed away during the AIDS epidemic, but equally, it is an altar built to honor those Ancestors of that mournful time. And I say, now in this new year, in this new place—where some are trying to take us back to an old place—now is the time for urgency. Now is the time for those Ancestors’ wisdom. Now is the time to call their names: Larry Kramer and Gaëtan Dugas. Now is the time to speak back against erasure. To reclaim this history. This crucial fierceness. Now: This remembrance that is painful but also beautiful. Now: A taking up space on the page and within the spirit. And I’m so grateful to have read this book—I’m so grateful that it chose me in this time.”

First runner-up: David A. Gaines
CECIL

Second runner-up: Emma Trelles
COURAGE AND THE CLOCK

2025 Finalists

PRESENT TENSE by Michael Chang
PEAR SNOW by Todd Dillard
HEARTS ARE HEARTS EXCEPT MINE by Eli Dunham
PROXEMICS by Ashley Seitz Kramer
ARCHITECTURE OF GRIEF by Sarah Nance
SENSE/FLUTTER/RATTLE by Ty P Newcomb
GIGANTIC by Kent Shaw


2024 Donald Hall Prize for Poetry Winner

Headshot of Samyak Shertok smiling with arms crossed

Winner: Samyak Shertok
No Rhododendron

Samyak Shertok’s poems appear in The Cincinnati Review, The Gettysburg Review, The Iowa Review, The Kenyon Review, Poetry, Best New Poets, and elsewhere. A finalist for the National Poetry Series, the Agnes Lynch Starrett Poetry Prize, and the Jake Adam York Prize, he has received fellowships from Aspen Words, the Helene Wurlitzer Foundation, and the Fine Arts Work Center in Provincetown. His work has been awarded the Robert and Adele Schiff Award for Poetry, the Gulf Coast Prize in Poetry, and the Auburn Witness Poetry Prize. Originally from Nepal, he was the inaugural Hughes Fellow in Poetry at Southern Methodist University and is currently an assistant professor of creative writing at Hendrix College.

Kimiko Hahn, Judge: “If poetry is, as has been defined, a species of magic, Samyak Shertok has conjured an elegant and sophisticated collection that is full of hybridity in form and subject. In the lines ‘What is it that they say about the tongue? / Something like a feathered blade that belongs / only to the dead,’ we are given a view into the conjuring—his view on how language expresses and depresses, how language as noise can mix into cacophony or clarify home. Homes. Diaspora. Conflict—as simple as war and as ambiguous. In all the hybridity, Shertok has stayed and strayed from forms as in his sonnet sequence. Most thrilling is Shertok’s hybrid inventions, where forms are mixed to great effect: the ghazabun is ghazal and haibun, and the ghazanellet is his ghazal, villanelle, and sonnet. And further, he offers forms of his own making that twine together words and sense. There are quotes from sutras, from Blake, from family. There is abiding grief and, in that, surviving to tell and retell stories. This debut collection is an absolute marvel.”

Runner-Up: Jeff Whitney
OTHER THINGS I CAN’T REMEMBER

2024 Finalists

DRINK THIS BLUE AIR by John Glowney
DESIGNATED WILDERNESS by Vincent Hiscock
OCULUS by James McCorkle
CRUDE by Nicholas Pierce
BARLEY CHILD by Greg Rappleye
GIRLS IN THE DESERT by Linda Ravenswood
WHITE CAMELLIAS by Joyce Schmid
STILL LIFE, WITH PHILOSOPHERS by George Young

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